100 Landscape Photographers Worth Knowing

We see these lists, all the time. Most are long, endless lists of boring sameness. Lifeless lists of lemmings; photographers, with a few exceptions, who all look the same. All copying each others work in a repetitive, diminishing circle of indistinguishable and interchangeable styles and ideas. Most lists are worthless.

Surely the purpose of such lists is to showcase artists where each has been carefully chosen to bring something of particular value into the sphere of other Landscape Photographers. An outward looking list. A rich tapestry of creative and functional ideas, styles and techniques; contrasting, challenging, thought provoking and truly useful. A mix of the established and the new, traditional and avant-garde. A diverse list which helps other photographers to grow.

So, I thought I would put together my own list below.

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Creativity and the Photographer

Some thoughts…

I am wondering, what is creativity? And, what can we do to become more creative photographers?

Of course, there are no easy formulas. And this short post can not even start to answer such profound questions. However, I think there are a few ideas which can help us. Let me share two. But first, some context.

Over the last few years I have been on a journey into photography. Like many people, I have been trying to discover and develop my creative side. I have always enjoyed building, crafting and making things, particularly photographs.  And while these are often seen as ‘creative’ activities, the simple act of making something, does not, by default, mean we have been or are creative. Making things can be very functional, lacking in any creativity.

Many people speak of creativity using nice woolly words like soul, mood, passion, feeling and spark. And yes, these are all great words to wrap around the concept of creativity,  however they are not particularly helpful in giving us some real goalposts to aim at.

For me, creativity implies that we have created or added ‘something extra’. It is that bit of ‘magic’ which will occasionally take what we make and transport it to a special place.

Here are two things I have learnt which have help me to understand what creativity is and how to find it.

Mamiya 7II / 80mm / Velvia 50 Film
Mamiya 7II / 80mm / Velvia 50 Film

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Slow down…

Some days I try too hard with my photography.

Do you know the feeling?

… commitment and purpose meets with an emptiness inside. Try as we might, on some days it is a struggle to conjure up any creative vision or energy to inject into our photography.

Now, I have learnt to slow down and even stop, with out guilt. For me, it is the “without guilt” thing which makes a huge difference in how quickly I can bounce back with creative vigour.

I spent a few days wondering the sand hills north of Sydney a few months back.  I lacked any real motivation so I just decided I would enjoy walking and if I made no pictures that would be ok.

Mamiya 7II / Velvia 50 film / Steve Coleman

Mamiya 7II / Velvia 50 film / Steve Coleman

 

 

 

 

 

 

 

I relaxed and took the pressure off myself.

I walked and just enjoyed the warm sun; must have walked for an hour or more without even thinking of my camera.

I have this habit of framing and arranging what I see as I walk. I look at everything I see and break it down into compositions. It can be exhausting at times. But this day I did none of that.

 

I just let my mind zone out. It was so relaxing… then I saw something that just grabbed my attention. It was nothing too remarkable, just light on the sand, but just relaxing had put me back into the zone. I was ready to make photographs again. I spent the next few days capturing so many wonderful photographs on film. Had I tried too hard I think I would have missed many of these images. I would probably have gone home early.

My learning for myself:  don’t try so hard.

Some more photographs from this sand dune series can be found here.

Photographs were captured on Velvia 50 120 film / Mamiya 7II camera.
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Becoming a photographer ~ part 1: the struggle to see

Part 1: The struggle to see

I remember being disappointed at my early attempts at photography.  I would look at my work, and my heart would sink.

Now, looking back, I can understand.

In those early days, what I was producing was a functional record of my day out with a camera. It was as if a photocopier had just copied what was in front of my eyes. I saw something nice, so I would take a picture of it. Simple.

The result was nice pretty pictures, well exposed, but there was not a lot more. I felt uncomfortable because I sensed that something was missing.

What I know now is that a ‘photocopier’ had taken those shots. I had been, not much more than a courier,  transporting a camera to a location and then letting my camera do all the work. I had thought I was a Photographer!   In reality, I had no idea what that meant.

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