Are we limited by our Eyes?

 

 

Strange as it may sound, one of the limitations we have is our eyes. Our eyes see what is in front of us. Therefore the temptation or assumption to photograph what we see is very powerful. Often however it is better to make a photograph of what we can not see.

This is a thought worth pondering…

 

 

All images and writings are registered with the US Copyright Office. Any use whatsoever without written permission from the photographer is strictly forbidden. © 2008 -2011 Steve Coleman All Rights Retained. This article can be reposted on a social media web site such as Facebook or on your blog if you include a link back to this blog or my website.

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Location Suggestion: The Macquarie Lighthouse, Sydney

If you are ever in Sydney, Australia be sure to make a visit, with your camera, to The Macquarie Lighthouse at Vaucluse. It is Australia’s first and longest operating navigational lighthouse. There has been a navigational aid on this site since 1791 and a lighthouse since 1818.  I think it is one of the most beautiful, easily accessible and photogenic in the world. You can easily park your car on the street outside and walk right in. It is painted pristine white and kept in immaculate condition. I believe that Katharine Hepburn, when she visited Sydney loved to come here to sketch and draw. Late afternoon is best as it catches the full late day sun and the lighthouse will glow pink at sunset when conditions are right. It is set on clear land with some wonderful old wooden fences along its boundary. From here there is a wonderful flat walk along cliff tops to the opening of Sydney Harbour.

Here are a few pictures to show you the location:


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‘Wild Vision’ by John Beatty

Renowned travel and adventure photographer John Beatty reads from his new book ‘Wild Vision’. Along with stunning images, the book provides a unique insight into the experiences that are at the heart of his photography.

I love both John’s work and this writings. If you don’t know of John Beatty it is worth a look.

For more information please visit:
wild-vision.com
v-publishing.co.uk

Thank you for dropping by my blog. I would encourage you to vista my Facebook and say “hello” ( link at top right ) Cheers, Steve

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How to Photograph what you can not see. And why this concept is possibly the most important step in a photographer development.

 

“As a photographer, I’m primarily interested in things I can’t see.”

~ Carl Bower

 

 

 

Here is an important concept for new photographers; New photographers tend to take those pictures, which their eyes can see. Experienced photographers tend to make photographs based on what they can pre-visualize will happen in-camera (or in later post production.)

Possibly, the most significant step that a photographer might take on their road to building experience, is the ability to Pre-Visualize. This is a very significant shift in mindset for anyone who is wanting to develop their photographic skills.

Let me explain.

I’m a landscape photographer, so for me an exciting time to photograph is early morning. At this hour, time, movement and light can easily play together and work their magic inside my camera. Low light means longer exposures. Therefore, in one still image you can capture a long period of time, and with time you can capture movement. The clouds move, the waves roll and light reflects off all that it touches. The results can be a beautiful soft and dreamy image where many elements in the photograph can mix in together.

However, photography in this environment can be tricky because you are photographing something which you can not see. Our eyes can not see movement blurred together as a single image. Our eyes don’t see morning colours as they really are; the human eye adjusts quickly to colour temperatures and can hide their true beauty. Our eyes also can’t see how extreme low light might look when exposed in a camera for a few minutes. In fact, for many of the things which can make for a beautiful photograph, our human eyes just will not see. This is trap for many keen photographers as they tend to try and photograph only what they can see.

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